'From Temple to Museum, a study based on rigorous field work south of the Ganga in Bihar, Provides critical insight into the sculptural production of this richly interesting area, one with a complex history not only in antiquity but also during colonial and more recent times. Especially important in this region, perhaps best known for its Buddhist material, is the Uma-Maheshvara imagery that abounds, even at Buddhist sites, which Salila Kulshreshtha so effectively contextualises.