In Painting Myanmar’s Transition, Ian Holliday and Aung Kaung Myat showcase work produced by local artists during a period of significant reform. In the 2010s, Myanmar moved away from half a century of rigid military rule and a wave of liberalization spread across the country. Artists eagerly embraced the new freedoms and, in so doing, captured their nation at a time of considerable fluidity. This book presents paintings by, and concise companion interviews with, eighty artists. Collectively, the paintings from the 2010s and the interviews from 2020 reveal the lived experience of Myanmar’s reform years and the aspirations expressed by citizens for the future. They assume an almost elegiac quality in the aftermath of a 2021 military coup that brought the transition to a crashing halt and cast a dark cloud over the society. Placed alongside each other, the eighty paintings and the reflections of the artists who created them offer rare insights into a landmark decade in Myanmar. Together, they conjure a set of nuanced understandings of a pivotal Southeast Asian state navigating complex political change and building dreams that, in the event, were all too suddenly shattered.